FAQ
Frequently Asked Questions:
Will you sign a book if I ship it to you?
Yes, I'd be happy to. However, please enclose a self-addressed stamped reply envelope or a money order with enough for return postage.
Did you realize that Greystone, Seely's Pond, etc. are real places?
Absolutely! While I may change some details, I typically use real places in my fictional works. I think it adds a touch more fun for curious readers to Google the name and find it really does exist. Even my novel that my agent is currently shopping, Book One in the Eideann's War Vampire series includes a few real places.
Where do you come up with ideas?
First, let me state that I'm a very creative person. In school most people knew me as a dreamer and creative. But as far as spark for ideas, they usually come out of everyday life. I'm constantly imagining, "What if?"
I'd love for you to come to our convention/ bookstore. Can that be arranged?
Yes, as long as it doesn't interfere with another booking. You can contact me via email to discuss the possibility.
Who did the artwork for your book covers?
Both Seely's Pond and Greystone were the creations of Mark Helwig. I was lucky enough to be able to request him for both covers. He's a talented artist and very good friend. You can find out more about him and his work on his website - http://www.markhelwigart.com
What advice would you give a new, unpublished writer?
Publishing is a difficult industry to break into. My best advice is to keep trying, don't give up! If you love to write (like I do) then eventually you'll receive a 'yes'.
Would you read and critique my novel/short story?
While I do help new writers, I'm afraid I do not have the time to do so. I belong to several critique groups (both online and in person) and have critique partners with whom I trade work with on an ongoing basis. I do suggest finding a good, strong critique group. The group will help you hone your craft. I have two links for such groups on my contacts page.
What author/authors have influenced your work?
The biggest literary influence on my work has been Edgar Allen Poe. I love his uncluttered prose, almost stark in nature. I think he is the master of subtlety and psychological torture. I truly admire that.
How would you describe your writing process?
Much like a car jacking. I start off driving down the road, with the characters and plot well in hand. I stop at a red light, and next thing I know, the driver's side door pops open and the characters shove their way into the car! I scoot over to the passenger side, while the main character slips into the driver's seat and grabs the wheel. From there I'm only the observer. I traditionally call myself a typist, since I'm really not the one telling the story.